Posts Tagged ‘Super Bowl’

Post Patterns: The Good, the Bad and the Ugly

Before anyone could ask, “Do I feel lucky? Well do ya, punk?”, the Patriots were down two to nothing on a safety. Safety first was also the overriding rule for most of this year’s advertisers and their teams.

Most of the ad agencies and their clients were not surprised because they knew they were going to play it safe all along. I am talking back to basics with bowsers, babies and babes. Classic Madison Avenue.

Start-ups and technology companies were practically absent as the more traditional big spenders were ever present. I’m talking food, beer and cars.

Notwithstanding a few excellent spots, this was another disappointing year. At least we were spared painfully poor and insensitive advertising like the shameful Groupon spot of last year.

O.K. Same ground rules for judging as in the past:

“The spots had to be, quote unquote, Super Bowl ads: ads imbued with enough creativity to compel you to want to watch them again. They should stand on their own for pure entertainment value. Being aired for the first time, clock stoppers, buzz creators. And they must build the brand, create memorable awareness or introduce a new product in an engaging way.

I avoided previewing ads on YouTube and other sites so as not to watch them out of context. I wanted to experience them with the full impact of seeing the spots for the first time in all of the communal anxious anticipation of a Super Bowl commercial break.

By the way, I understand the pluses of leveraging YouTube and other social media and the increasing pressure to do so. Some advertisers and their agencies made a good argument that only millions and not tens of millions would see any of the ads before the game anyway. Fair enough.”

Given these ground rules, the best of the best was the spot for the Chrysler Group with Clint Eastwood. More than satisfying the requirement that the spots be made for the Super Bowl, this commercial was specifically designed to run at the end of the half.

Building on last year’s ad with Eminem, no less “studly” a guy than Clint Eastwood himself gave us a pep talk declaring that it was only “halftime in America” and to keep our chins up.

Inexplicably, this spot was attacked by the Republican Party as a stealth political ad for President Obama and the Democrats. The result: enormous buzz from on air political pundits, bloggers and the “man in the street”.

In another stunning example of more internecine behavior by the Republican Party, none other than Karl Rove cried foul and criticized Mr. Eastwood, of all people. The award winning actor and director is rumored to have never voted for a Democrat.

In Rove vs. Eastwood, the court of public opinion handed down a verdict in favor of the rallying cry of the commercial and the delivery by its incomparable spokesperson.

Nothing but the game itself was more notable on Super Sunday, but others deserve a moment to be singled out for the good, the bad and the ugly.

Honda scored big several times with quintessential Super Bowl spots. Meaning that they used tongue in cheek humor, high Q score celebrities, fast paced story lines, special effects and surprise endings.

In one, they re-introduced the perpetually smokin’ hot Acura NSX. From Jerry Seinfeld’s urban zip line to Jay Leno’s rooftop punch line it was a hot spot for a hot car.

In another commercial they combined these winning elements for the Honda CR-V. Matthew Broderick in a reprise of “Ferris Bueller’s Day Off” was pitch perfect.

Volkswagen took a nice turn with “The Dog Strikes Back”. The only thing that would have made this better for me was if they left out the connection to the brilliant mini Darth Vader spot from last year. I got it but it seemed to confuse the message and change the cadence of the spot. Incidentally, that is exactly how they are running that spot now. You’ll see, if you haven’t already.

“Sonic Stunts” for the Chevy Sonic was one of my favorites, partly because I think of myself as a musician trapped inside of a marketer’s body. Talk about appealing to both the right brain and the left brain. BTW: I recommend watching the whole thing online.

According to my own ground rules, “Graduation Celebration” for Chevy Camaro, ought to be excluded since it has already been running. However, I decided to mention it because the product positioning and ad execution are spot on.

As if that wasn’t enough, General Motors bought some more time and dissed Ford by name in ”Apocalypse”. This spot depicted “end of days”events and showed the survivors driving Chevy trucks. One unfortunate soul who did not make it was said to have driven a Ford. The spot itself was not that great but the publicity it generated made it worth the cost of admission.

General Motors Global CMO, Joel Ewanick, was ebullient over the hand wringing elicited from Ford Motor, which asked GM and NBC not to run it. The feud is better than the spot and so once again we see that it is better to be lucky than good.

So much for car ads.

Frito-Lay’s Doritos ads: “Missing Cat” and “Sling Shot Baby” were both “created” by so-called non-professional consumers. Both were engaging, funny and original. Moreover, kudos for smart branding, as they were consistent with their entries from previous Super Bowls.

There is some buzz that a dead cat goes beyond acceptable dark humor. What? Nobody protested a grandma risking a baby’s life using a sling shot for a bag of chips? Warning to those who were offended: please show caution when selecting television shows, video games and movies; especially cartoons.

In another victory lap for dogs, Skechers, went from a lap dance to a victory lap. In a case of dog bites man or woman, Kim Kardashian was replaced by a dog, with an assist from billionaire Mark Cuban, in a huge messaging and creative turnaround from last year’s ghastly failure.

Perennial player, Anheuser-Busch, almost did not make the cut but for its introduction of Bud Light Platinum. “Creation” and “Platinum Party” were straightforward, differentiated from “regular” Bud Light ads and a good use of the Super Bowl.

CHASE did do a very good job, with the Drew Brees football family and the decision to tout mobile banking, the “it app” in banking. Having said that, no T.A.R.P. fund babies (repaid loans or otherwise) had any business buying 3.5 million dollar spots.
Unlike CHASE, the spots by Citi had mediocre creative and were a waste of time and money, adding insult to injury.

With one exception, I have no comments on movie trailers or television promos. The Tonight Show ad with Jay Leno and Madonna in the elevator was short and sweet and was a perfect tie-in to NBC and the halftime show.

In the interest of your time and my belief, if not my behavior, that “brevity is the soul of wit” I have deleted the good, but not great, and suggest we head directly downhill to the bad and the ugly.

Ironically, some of the “ugliest” spots had some of the best looking people. If you cannot make sex sell then don’t try.

FIAT got men and women alike to pay attention. Then they couldn’t deliver. Not good for a car ad to have performance anxiety. The only thing that was not flat was the foam, the sexy Italian model and the car. Too bad for the new FIAT Abarth. Looks like a fun ride. This ad started well, got lost on the way and crashed in the end.

I never thought I would complain about seeing too much of Victoria’s Secret super model, Adriana Lima, but I have to say, she was over exposed. Being in two questionable spots for two different sponsors, and KIA, was a fumble. Super Model. Super Bowl. Super Bad.

I’ve heard some say the ad was offensive. I thought it was pretty tame and typical advertising. The team that created it is not guilty of being sexist, just lazy, creatively speaking.

The KIA Optima spot, “Sandman/Sweet Dreams”, was more of a nightmare. BTW: Great tagline. Wrong car: “A Dream Car For Real Life.” Or shall we say: a dream tagline for a real car.

Still holding its own for bottom feeding is GoDaddy. As impressed as I am with Danika Patrick for combining svelte attraction and high speed traction, these gal pal spots were flat. As we know, consistency is one of the pillars of branding, but I think these sophomoric spots for GoDaddy aren’t even that sexy.

Last year, I gave them credit for driving traffic to their site, which is the goal, but they had all year to come up with something clever. Back to the drawing board. Not “Body Paint”. Oh, and yes, as Danika Patrick and Jillian Michaels said, “I think we missed a spot…spots”. You sure did. In more than one way.

BTW: I did not overlook the H&M commercial with David Beckham. It is not mentioned here because they used sexiness well. If you are old enough to remember, this is the 21st century version of the, dare I say, break through ad for Jockey with Hall of Fame pitcher and Baltimore Orioles announcer Jim Palmer. For younger readers think of Annie Leibovitz’s shots of Marky Mark Wahlberg for Calvin Klein.

Finally, so terrible that it is terrific, I am still amazed and amused with the bizarre ad for Jack In The Box. Janet Jackson’s wardrobe malfunction got nothing on this for intruding on “family entertainment”. The spot ends with this memorable, inexplicable and offensive line. “You may now eat the bride.”
Maybe, “You may now kiss the burger,” would have been a kinder, gentler line.

Either way, if only Mr. Eastwood could come to the rescue again and tell these people, “Go ahead, make my day!”


Xfinity and then some

Initiating…in three two one…

If those words don’t sound refreshingly familiar then you have not caught one of the better television spots to air in a long time. Why is it so good? Because it doesn’t get in the way of itself. Other than cost and clutter, I don’t know why Comcast did not run this Xfinity spot during the Super Bowl.

Xfinity is the new name for the re-branding and rollout of their new and improved digital services. According to Comcast, some 30 cable networks are providing over 2,000 hours of programming and eventually all content will be accessible on the screen of your choice, including mobile devices.

As the “launch” spot and promotional materials claim: customers will be getting more high speed Internet, more downloads, more channels, more choice, more control. Get it: infinitely more than Hulu, Direct TV, DISH, Verizon, Apple and other competitive sources of content and delivery. Get it: Xfinity.

I know some of you may be saying, “Oh, that’s so clever. Not! How un-CLIO like.” Just to be clear, I am not saying this solves everything for the Philadelphia cable giant or its 23.8 million subscribers. But you have to admit, they got this part of the equation right.

In a world where everyone is too cool for school, there are times to be straightforward and not overly clever. Ironically enough, there are times when less is more even if the pitch is all about more.

In more ways than one this commercial is spot on. It starts with a little late night mystery reminiscent of the movie Poltergeist where the TV is on and everyone is asleep.

Every thing delivers individually and collectively. The message is crystal clear, the visuals engaging and the voice over is pitch perfect; thanks to a superb use of actor John Hamm.

If you are still not buying it, at least get hip to the inside joke using Mr. Hamm; who plays the creative director of a 1960’s Madison Avenue ad agency on A&E’s award winning series “Mad Men”.

Just to prove it, I have not talked to anyone yet who recognized his voice. Sometimes the medium is not the message or if you’re lucky at least it doesn’t get in the way. Given the advertiser, the target and the topic, they appear to be getting the best of both worlds.


Post Game Post: Super Bowl Spots Fail to Cover the Spread

Who woulda thunk it. The game itself was far better than the ads. The game was super. The spots were not. There were a few exceptions. Film at eleven.

BTW: Last February I was so underwhelmed that I gave myself a bye. However, I am back at my post (pun intended) by popular demand.

Now, the ground rules. Same ones I established a few years ago.

The spots had to be, quote unquote, Super Bowl ads: Ads imbued with a creativity that would get you to want to watch them again and would stand on their own for pure entertainment value. Being shown for the first time, clock stoppers, buzz creators. And they had to either build the brand, create memorable awareness or introduce a new product in an engaging way.

I avoided previewing ads on You Tube and other sites so as not to watch them out of context. I wanted to experience them with the full impact of seeing the spots for the first time in all of the communal anxious anticipation of a Super Bowl commercial break.

This approach differs from the likes of Barbara Lippert of AdWeek and Bob Garfield of Advertising Age. We agreed on many things but had widely different opinions on the same spots on more than one occasion. Is this validation of no unequivocal standouts?

For example, Ms. Lippert’s fave was Google. Building a more emotional connection to the brand: great idea. Showing screen shots of someone navigating through a search on Google: boring. Something most of us see and do everyday.

On the other hand, something that you have never seen on the Super Bowl is a spot promoting a political position. As many of you know CBS broke precedent. My personal, ethical and political views are not at issue here. Although, I do have to say this could be a disturbing trend for the day of the year when we just want to have a good time with friends and family.

In this case it is the much ballyhooed and controversial piece by the Pro Life organization Focus On The Family. Again, personal and political beliefs aside, you could not have made up a better story. This was perfect: Heisman Trophy winner Tim Tebow and his mom. However, they did not get a first down and they fumbled on the punt. Without pre-game publicity this spot would not have even been a blip on the screen.

Other things you don’t see every day, nor would you want to: Betty White being slammed to the ground. That certainly got a rise out of the viewers at the party I attended. Too violent? Oh please.

She was playing a game of football during the Super Bowl. Good tongue in cheek. Consistent tie in for the Snicker’s instant energy value proposition, too. Plus, it was one of the few ads that had a kicker in the end with Abe Vigoda’s cameo as the second celebrity tackling dummy.

The Denny’s spots satisfied all of my criteria. They were whimsical, creative and funny. The joke, the plight of the hens who had a production challenge, clearly supported the FREE Grand Slam offer; which has proven to be a winner for the company in the past.

Where’s the beef? Speaking of ground rules, the ground meat purveyor Burger King missed a great opportunity to introduce their new BK Whopper Bar, which serves beer! (Please see my last blog post below. BK and Bud together again for the first time.)

Doritos ads were consistent with their smack down themes from previous Super Bowls and they worked. Some of my armchair marketing consultants liked the one with the dog. I preferred the gym ninja using the chips as martial arts throwing stars. Certainly qualifies as the classic Madison Avenue approach: the product as the star. (No pun intended.)

Speaking of featuring the product, I found Coca-Cola’s sleepwalker spot engaging. It was pleasant to the eyes and the ears enabling it to cut through the cacophony of the day.

Cutting through the clutter was also achieved by Motorola employing vixen Megan Fox to carry the story line of the “It” device of the day, if you will. I was impressed that both men and woman alike felt good about the ad, at least at the party I attended. Among a flood of tech toys and TV’s, it was arguably the best.

An honorable mention for VIZIO. They were able to inform by saying the right things to the right people at the right time. That is to say, speak to the growing addiction to bigger, flatter and brighter screens.

OK. Now I have to fess up. I have never gone for the eTrade baby spots, although I know amateurs and professionals love them. I must tell you that the room fell silent when the spots played. At least there was no projectile vomiting this year.

Show stopper for me was the piece on the LATE SHOW. I got a huge kick out of seeing Letterman, Oprah and Leno on the couch. All the more reason I was left empty. How could you not get a solid punch line from that ensemble?

Although bordering on depressing, misogynist and ultimately trite, the Dodge Charger entry grabbed everyone in the room and resonated with the guys. Credit to the sponsor and the agency for having the horsepower not to reveal the product until the very end.

Dove successfully introduced its new line of products for men, but it was not a super spot.

I loved Brett Farve making fun of himself. Unfortunately, he was a good sport in search of a good ad. Hyundai missed the uprights. In fact, I found many of the cars ads ho hum. Nice try by Audi. At least they created a wacky story to get their green message across.

While we are being automotive, kinda sorta had it working but could not clinch, get on the team bus and go home. Bridgestone ought to be just thrown under the bus.

What was the deal with men running around in their underwear this year? OK for Dockers who is trying to sell pants. KGB’s sumo wrestlers. Huh? Career Builders once again succeeded in creating spots that got people to stop look and listen and then quickly try to forget what just happened. Insult to injury as it ran back to back with the Dockers deprived men.

Also, little people spots ran back to back too. Neither of which were worth the risk of insulting people or the venerable Ground Hog. KISS of death for the good Dr. Pepper? BTW: I did get the message of the new flavor.

Bud Light and Bud spent a fortune, as always, but the creative was consistently not up to par with past work. The human bridge was predictable and worse: weird and grotesque.

Just to be even handed, let’s look for the silver lining in the cool blue aluminum bottles of Bud Light. The house of bottles was an arresting vision.

The “LOST” spot used a classic story line: “We are stranded on a deserted island and we don’t care because we have beer.” The nod and the wink to the popularity of the show gave this some freshness.

In the interest of some quickly disappearing attempt at brevity and to be kind, I will not savage any more spots except the ones by Go Daddy. Those offered up by Boost, FLO TV, Intel,, Home, VW, Diamond/Pop Secret and Taco Bell may remain on the sidelines.

Go Daddy failed to launch. You got everyone’s attention and then each time there was a big groan. “Is that it? Is that all you got?” “Did you give it your best shot?”

They will undoubtedly be successful again in driving traffic to their site but bodice ripping is so passé after Janet Jackson’s costume malfunction. Even the “racier” stuff on the Internet is awfully tame. Actually this year’s entries were just awful.

Too bad, because I think Danica Patrick is swell. You go girl and keep up your gutsy behavior on and off the racetrack were she has given a fantastic boost to both Indy and NASCAR racing.

Did I say gutsy? How about that onside kick to start the second half? Congratulations to the City of New Orleans and the Saints. No longer to be ridiculed as the “Aints”. Now it just seems to apply to so many of the ads.

Better luck next time to the advertisers and their agencies; and to the great Peyton Manning who came a heck of lot closer to achieving success than most of them did.